The graphic novels, which I read a few years ago, are definitely better. But the film was good too: even onscreen, Marjane Satrapi's memoir about growing up in a changing Iran remains a poignant coming-of-age tale for expatriates everywhere.
The film is also proof that there are many instances where animation can convey quiet but powerful scenes in ways that frames in a comic book can't.
The film is also proof that there are many instances where animation can convey quiet but powerful scenes in ways that frames in a comic book can't.
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