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The story itself could have used some help, though. Aside from all the anachronisms (which you take in stride because the whole spirit of the movie is more about fun and invention and fighting greed, not the precise years the hula hoop and bendable straw were patented), the characters weren't very well developed. For instance, who exactly was the kind, grandfatherly, guardian angel-like black dude who lived in some timeless factory behind the ticking clock? I know they're all supposed to be stock types straight from black and white movies, but the film also purports to be an all-American portrait of greed and fat cats and corporations and the little guy. If it didn't pretend, it would have been a hearty all-in-good-fun movie.
I like scenes of snow falling in cities. As mentioned before, I am also obsessed with clocks and the concept of time. The opening scenes of Hudsucker had snow falling on empty city streets, and slowly moved towards the building with the giant clock. It was a kind of magical moment, but after that, it all went downhill. It was a fun ride downhill, though. Just one I couldn't take too seriously because at time it took itself too seriously.
But speaking of corporations...
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And I have to atone at the gym for a while...
1 comment:
Eggnog rules. But so does Hudsucker Proxy. Like most Coen bros. movies, this one is superficial in the ways you mention, but great for visual style.
I also think the acting, mostly Paul Newman, is great. I'll watch it just for his scenes. Charles Durning and John Mahoney, too.
Like Barton Fink, Miller's Crossing, and Raising Arizona, it doesn't hold up to inspection, but it's a lot of fun.
(I think Big Lebowski and Fargo are their peak movies.)
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